Title cue at a driving 120bpm in E minor, pairing a confident female pop vocal with brass stabs, orchestral strings and big hybrid trailer drums. Struts rather than sprints, with riser-and-impact punctuation building to a full-weight final statement across its 2:25.
The fastest cue here at 140bpm in A flat minor, darker and more emotional than the rest of the album, with brass, strings and pounding drums under a female pop vocal. Moody verses give way to a soaring, triumphant lift that suits an underdog turning point.
110bpm A minor hybrid banger with electro synths, braams, brass and layered trailer percussion beneath a female vocal. Confident and chaotic in the way the title suggests, escalating through risers and impacts to a powerful close.
The longest of the vocal cues at 2:44, a 115bpm D minor trap-hybrid with a taunting, predatory attitude carried by a female vocal over braams, brass and big drums. The extra length allows a longer stalking build before the final impact-heavy payoff.
Instrumental and the album's longest track at 3:00, a slow-burning 90bpm C minor hybrid with Asian orchestral colour, brass, strings and big drums. Dark and cinematic through the first half, opening into a wide, emotional final act — the most voiceover-tolerant cue here.
110bpm E flat minor cue with the album's most badass, low-slung attitude: male vocal, strings, trailer drums and layered percussion with no brass to soften it. Cool and swaggering rather than heroic, tightening steadily to a hard-hitting end.
Fully instrumental and the longest cue on the album at 3:23, a 118bpm C minor hybrid trailer piece with choir, braams, strings and heavy trailer drums. Long architectural build with clear riser-and-impact structure and no vocal competing with dialogue.
Laid-back 95bpm F minor trap-pop hybrid with a playful, boastful female vocal over brass, strings and big drums. The lowest tempo of the vocal cues, so it reads as fun and cocky rather than frantic, still landing a grand final impact.