Grand Prix

Hard-edged hybrid trailer cue at 150 BPM in E flat minor, built on pulsing synth bass, trailer drums and braam hits with sound design risers threaded through. The lowest-keyed track on the set, so it reads as the darkest and most confrontational — good for a stare-down before the start light drops.

E minor hybrid action bed at 140 BPM, pairing driving percussion and low synth bass with braams and impact-style sound design. The steady mid-fast pulse and slightly more open key make it the most anthemic of the group — suited to underdog comeback footage rather than pure menace.

The longest cue here at 2:40, a C minor hybrid tension build at 140 BPM with trailer drums, pulsing bass and braam swells. Extra length gives room for a slower escalation, making it useful when a sequence needs to grow from simmering pressure to full attack.

At 221 BPM this is the fastest thing on the record, a G minor hybrid sprint of relentless percussion, driving synth bass and braam stabs. Best for flat-out velocity — wheels, blades and blurred scenery rather than anything reflective.

Short and blunt at 2:12, a 200 BPM C minor hybrid cue with hammering trailer drums, pulsing bass and aggressive sound design. The tightest edit on the album, built for promos and stings that need to hit hard and get out.