53 cues
The slowest and longest piece here at 60bpm in G minor and 3:26, opening spacious with piano and strings before brass, choir and trailer percussion lift it into a soaring, victorious back-end. The unhurried tempo and length give it the widest dynamic span on the album, useful for a full emotional arc from bleak to exultant.
The slowest and most spacious cue at 100 BPM in B minor, opening from piano and drone into strings, brass and trailer percussion — a struggle-to-triumph arc rather than a straight charge. Its wider pacing leaves the early sections usable under narration before the final build takes over.
The most hopeful cue on the set: at 140bpm in F minor it pairs the aggressive trailer-drum engine with inspiring, positive brass and choir lift. Its 1:58 length and soaring resolution suit an uplifting hero-triumph or comeback payoff.
E minor trailer cue at 114 BPM built on wordless female vocal chants over choir, strings, piano and trailer drums, with synth textures and risers pushing each section forward. The darker minor opening lifts into a soaring, triumphant final third across its 2:46 run. Suits footage of a search or a long journey ending in arrival — discovery documentaries, hope-led charity films, sci-fi or fantasy teasers.
The title cue and the longest of the mid-tempo pieces at 4:18, 122bpm in Bm, moving from piano and strings into full brass, choir, drums and orchestral percussion. Its extended length allows a genuine journey from wonder to euphoric, romantic release — the album's signature statement.
The album's title cue: a slow 66bpm G minor build where piano and bell figures open into strings, brass and choir over trailer drums, holding mystery under the wonder. The gradual tempo lets each hit land hard, making it a natural opening act for a fantasy teaser.
At 120bpm in E minor, arpeggios and piano circle under strings and brass in a curious, discovery-minded build that resolves triumphantly. Tagged for science and invention, it is the album's cue for progress and problem-solving rather than romance.
A brisk 150bpm waltz in G minor for live orchestra, with strings and woodwinds carrying a mischievous lilting theme against brass, choir and big drums for the payoff. At 1:25 it's a compact comic-magical set piece: a spinning, slightly sinister dance that swells to a triumphant finish.
An urgent B minor adventure cue at 120bpm built on running string arpeggios, stacked brass and choir over driving percussion, with a synth underlay adding modern trailer weight. Over nearly three minutes it grows from a small clockwork figure into a heroic, wide-screen finish, with a slightly wilder, more mischievous edge than its neighbours.
A four-minute F minor orchestral anthem at 110 BPM, built on massed choir, string ostinato, brass and cinematic percussion, with the long runtime allowing a full climb from tragic quiet to full-ensemble climax. The heavy-hearted tone sits between war lament and heroic call to arms, making it the album's most complete standalone theme.
A slow, ominous 82bpm D minor build with piano and live strings carrying the cold opening and brass, choir and orchestral drums delivering a grandiose back-end. Less sci-fi than its neighbours and more purely dark-heroic, suited to a villain reveal or a bleak turning point.
The fastest cue here at 172 BPM, driving strings and big drums under a choir-led theme in D minor across two and a half minutes. Written as a main title theme rather than a background bed: propulsive, patriotic and clearly resolved at the summit.
At 80bpm in A minor this is one of two slow, emotional cues here, tagged inspiring: exposed piano and strings with brass and choir arriving for scale rather than speed. Its 2:51 length is the longest on the album, allowing a long build from intimacy to a full orchestral resolve. Ideal for a hero's sacrifice, a reconciliation scene or a charity film.
Brighter and faster at 117 BPM in B minor, adding synth arpeggios and drone textures under choir, strings and brass for a spacefaring, forward-motion feel. Over 3:15 it moves from airy pulse to a wide, uplifting heroic peak rather than a tragic one.
At 92bpm in C minor this is a mid-tempo, faintly martial version of the album's orchestral language, with brass and choir carrying the weight and strings driving under trailer drums. The patriotic title and minor key suit historical conflict and rallying-the-people footage rather than pure whimsy.
A 120 BPM D minor hybrid trailer cue distinguished by guitar sitting alongside the live strings, brass and choir, giving it a grittier, more modern edge than its neighbours. Short at 2:21, it works as a compact dark-to-heroic build for a missing-person or vanishing-act reveal.
The shortest cue on the album and the most texture-forward: designed FX and risers rather than a stated orchestral lead, building to a heavy backend. The Robin Hood title points at forest mystery and outlaw tension more than pageantry. Suits teaser-length trailers, stealth or ambush footage and logo stings.
The album's battle piece: 140 BPM in C minor with driving dumbek and orchestral drums, Arabic strings, flute, oud and saz over urgent vocal chants. Over three and a half minutes it sustains action-epic intensity with room for escalation. Built for ancient warfare reenactment, chariot or cavalry charges and combat game trailers.
The fastest-driving of the mid-length cues at 147bpm in Cm, pairing full strings and brass with kit drums, orchestral percussion and mixed male and female choir for an explosive, ascending build. Bright and proud rather than dark, it reaches a clear peak inside 2:40.
Short, fast-moving good-versus-evil trailer piece with chase energy, sound design hits and choir over driving orchestral drums and brass. Its 2:13 runtime makes it the tightest edit on the album, moving to its payoff quickly with less intimate setup.
A darker medieval-leaning battle piece at 114bpm in D#m, opening from piano and strings into brass, orchestral drums and female choir over suspenseful undercurrents. The title's sense of collapse is matched by a heroic but mournful arc across 2:42.
At 117bpm in D#m this is the most texturally intricate of the battle cues, adding flute, vocal samples and sound design to the brass, strings and orchestral drum core. It holds beauty and menace together, intense and unresolved-feeling in the middle before its final push across 2:54.
A romantic 120bpm G minor build pairing piano and arpeggiated figures with strings, choir and a full drum-plus-orchestral-percussion lift. Warmer and more sentimental than its tempo-mates, aimed at love stories and hopeful new beginnings.
The fastest and most gleeful cue here at 166bpm in D minor, with scurrying strings and woodwinds, punchy brass and choir over big orchestral drums. The title's holiday-trickster angle suits a caper played for laughs, building over 1:43 to a big triumphant backend.
Full-palette period trailer cue — piano, choir, strings, brass and orchestral drums — with a courtly, tragic-romantic slant implied by the title. Builds from an intimate keyboard statement to a heavy orchestral backend. Works for costume drama trailers, monarchy documentaries and luxury fashion films with a historical setting.
At a stately 100bpm in G minor, wordless female vocals and chant sit over strings, woodwinds, piano and orchestral drums for a majestic, ethereal build. Slower and more ceremonial than the pop-leaning tracks, useful where a human voice needs to carry the emotion.
The album's longest and most over-the-top statement: 2:30 at 176bpm in D minor, driving live orchestra with rock-flavoured propulsion under soaring brass, choir and heavy drums. Its length allows a full trailer arc from playful mystery to a huge, resolved heroic climax.
The most aggressive tempo on the album at 150bpm in B flat minor, with driving percussion, brass stabs, choir and fast string arpeggios over piano. Emotional and urgent rather than purely heroic, it works as a 2:28 awakening or point-of-no-return cut with a triumphant finish.
An A minor cue at 103bpm, the only major-adjacent tonal centre shift on an otherwise C-and-C-sharp-minor album, giving it a slightly cleaner, more cerebral colour. Piano and live strings set up an inquisitive opening before brass, choir and orchestral drums push toward a bold, victorious close.
A 120bpm E minor cue with an inspiring tag, balancing dark orchestral weight against a hopeful piano and string theme, with choir and drums filling out the peaks. Short at 2:18 and steadily forward-moving. Suits aspirational brand films, tech reveals with emotional framing, and coming-of-age montages that need scale.
The fastest of the mid-tempo group at 140bpm and set in bright D major, this one pairs piano and arpeggiated strings with brass, choir and synth for a sprinting, wondrous chase feel. Its short 2:20 shape means the escalation to the big brass-and-choir payoff arrives quickly, suiting hard-cut sci-fi and discovery montages.
Shares the cello-and-strings core with choir, drone, arpeggios and brass, but the survival-story title and full three-minute length give it the longest emotional climb on the album. Tragic undertow resolving into a triumphant return, ideal for rescue and homecoming footage.
A clean 120bpm F minor build with piano and strings over combined kit and orchestral drums, brass opening up the final chorus. The most straightforwardly modern and city-facing cue of the 120bpm group, with no arpeggio ornament to compete with dialogue early on.
The fastest cue here at 161 BPM in B minor and the shortest at two minutes, driving arpeggiated synth and percussion under choir and brass for a defiant, no-surrender charge. Tight trailer length with an immediate high-energy stance and little ramp-up.
The quickest tempo here at 135 BPM in G minor, driving orchestral drums under live strings, brass, piano and choir for a militaristic forward march. Over 2:36 it reads as disciplined and relentless rather than chaotic, resolving on a triumphant brass statement.
The one cue on the album with a female vocal alongside choir, at 102bpm in bright D major with no tension tag — the purest fairy-tale colour here. Strings, piano and brass rise over trailer drums toward a soaring, unclouded lift.
Drum-driven adventure cue where orchestral percussion sets the pace and the theme rides on top before a huge backend release. The nautical title fits its forward-motion, wind-in-the-sails momentum rather than any romantic lull. Good for chase and pursuit footage, sailing sequences and heroic sports or expedition edits.
A 111bpm C minor retribution cue with urgent string ostinati, brass, synth arpeggios and pounding orchestral drums driving into a victorious back-end. At 2:34 it sits in the album's upper-mid tempo band, quicker and angrier than the title track but short of the 130bpm action cuts.
A 145bpm G minor cue with a darker fantasy streak — suspense and tension sit alongside the playful orchestral writing, strings scampering under brass stabs and choir. Over 1:45 it works as a sleuthing-abroad sequence that tips into a triumphant reveal.
G minor at 120 BPM, with no piano in the mix — just live strings, brass, synth, orchestral drums and choir for a heavier, low-end monolithic sound. The 2:30 arc suits colossal antagonists and world-ending stakes, ending in a grandiose victorious hit.
Strings and cello carry a somber, heartfelt melody over drone and synth arpeggios, with brass and choir joining for the large build. Sadder and more reflective than its neighbours before it turns triumphant — good for loss-into-hope narrative arcs.
At 133 BPM this is one of the faster, more mechanical cues on the set, with a pulsing synth arpeggio underpinning choir, distorted brass and big percussion. The arpeggio gives it a ticking, ceremonial urgency that fits oath-taking, army-assembling and countdown-to-launch imagery before the final drum-heavy payoff.
The darkest, most ominous opening on the set, with exposed cello and low strings carrying a mysterious, pained prophecy before choir and brass escalate into war-scale percussion. At 2:45 it is one of the longer builds here, leaving room for narration in the sparse first half.
A 120bpm C major cue that trades mystery for hope, with piano and bells threading through soaring strings, brass and choir over steady trailer drums. The longest track on the album, so it has room for a full quiet-to-triumphant arc.
A compact, fast-arriving heroic build using strings, horns, choir and orchestral drums, with an emotional undercurrent beneath the action. Its short running time makes it a tight edit for a single trailer beat rather than a full three-act rise. Suits fantasy adventure promos, historic epic teasers and agile action montages.
The outlier on the album: slow 82 BPM G minor score for piano, sustained drone and strings with none of the regional instrumentation, giving a somber, meditative and epic stillness across three and a half minutes. It builds emotional weight gradually and leaves wide open space above the drone. Best for reflective documentary passages, memorials, loss and the quiet aftermath of a historical drama.