6 cues
The EP's title song and its fastest cut: a driving 155 BPM blues-rock stomp in G minor with distorted electric guitar, hard-hitting drums, bass and synth underpinning a female lead vocal. Confident and combative rather than mournful, it carries a roadhouse swagger through to a full-band finish across 3:20.
The most pop-leaning and rhythmically forward track at 99 BPM in E minor, with distorted guitar, drums, bass and synth behind a male lead vocal. Framed around a breakup, it plays sexy and defiant rather than wounded, making it the natural fit for attitude-driven cutting.
A mid-tempo acoustic folk-pop song at 90 BPM in F, built on strummed acoustic guitar, electric guitar fills, claps, bass and drums under a warm male lead vocal. The mood is affectionate and slightly longing, sweet rather than sentimental, and it sits comfortably under wedding footage or a caring brand story.
The album's fastest-driving male-vocal cue at 125 BPM in B, pairing an electronic beat with live cello, piano and orchestral drums under a lead vocal. Tags point to the darkest emotional territory here — loss, despair, suicide — with a small intimate opening giving way to choir and full trailer percussion. Suits a bleak-but-cathartic final act rather than an uplift.
Title track and the longest cue at 3:28, a female-led alt pop rock build in E minor at 106 BPM with piano, guitar, live cello, synth and choir over big orchestral drums. The mood set is breakup and romance turned powerful and inspiring, so the arc runs from intimate confession to a wide-open ending. Best where you need runway for a full narrative trailer or a long-form emotional montage.