30 cues
A brisk 120 BPM servikos in D minor, with bouzouki carrying the tune over accordion, upright bass and strummed acoustic guitar, played by live musicians. Bright and celebratory despite the minor key, and short enough at just over two minutes to cut cleanly into a montage of village dancing or a taverna evening.
A fast 120bpm E major belly-dance number distinguished by organ sitting alongside the electric guitar over darbuka, dumbek and drums, giving it a retro dance-band flavour. Playful and celebratory, tightly edited at 2:57 for a comic or festive cutaway.
A fast hasapiko in D minor at 120 BPM, bouzouki lead over accordion, bass and acoustic guitar, warmer and more heartfelt in character than the album's purely comic dances. The two-and-a-half-minute length gives room for the traditional accelerating dance feel to land, suiting a wedding scene or a family celebration.
A 120bpm C minor belly-dance-inflected Mizrahi pop track, stripped to electric guitar, bass, drums and hand percussion with no string sweetening — leaner and more rhythm-forward than its neighbours. The minor key gives the party an emotional, slightly dramatic undertow across just under three minutes.
The slowest cue here at 70 BPM in G minor, with violin and fiddle joining bouzouki, accordion, bass, guitar and light percussion for a gentle, wistful dance. Tender and unhurried, good for reflective footage of an ageing island community or a quiet coastal sunset.
The album's reflective turn: 100bpm in E minor, with a plaintive Middle Eastern electric guitar melody over restrained drums, bass and hand percussion. Moody, romantic and a little melancholy — for dusk footage, longing, or an emotional beat in a documentary.
The moodiest track here: bouzouki and clarinet over a slow 90bpm beat and bass in D minor, romantic and shaded with melancholy. Its restrained arrangement and short two-minute run make it a good bed for reflective voiceover or a nighttime scene.
A mid-tempo 90 BPM dance in bright G major, bouzouki and accordion trading the melody over acoustic guitar and bass. Warmer and more romantic than the faster tracks, its near-three-minute run suits a strolling sequence through whitewashed streets or a courtship scene.
A 118bpm A minor cue that pairs the album's hopeful-yet-wistful mood set with a steadier forward-moving pulse — electric guitar carrying the melodic line over bass, drums, darbuka and dumbek. At 2:34 it is a compact emotional piece, warmer and more purposeful than the slower ballad on the album.
A cheerful rumba-inflected Greek dance at 86 BPM in D major, with percussion driving the bouzouki, accordion, bass and guitar. Comic and good-humoured, with three minutes of steady groove that works well under narration or lighter dramedy business.
An 80 BPM kalamatianos in C major with violin and fiddle prominent alongside bouzouki, accordion, bass, guitar and percussion. Sunny and folkloric with a light lilt, and at 2:19 a tidy fit for a festival or circle-dance scene.
A 100 BPM hasapiko variant in D major, bouzouki lead over accordion, bass and acoustic guitar, sitting midway between the album's slow ballads and its full-speed dances. Warm and affectionate rather than raucous, useful for family or courtship scenes that still need forward motion.
An up-tempo 120 BPM dance in A major, the brightest and most driving of the major-key cues, with bouzouki and accordion over bass and strummed guitar. Joyful and headlong across two and a half minutes, built for a crowd on its feet.
The fastest cue on the album at 135 BPM in G major, with violin and fiddle whipping alongside bouzouki, accordion, bass, guitar and percussion. Boisterous and comic, ideal for chase business, frantic kitchen work or a comedic set piece.
A syrtaki at a relaxed 85 BPM in G major, bouzouki melody over accordion, bass and acoustic guitar, and the longest piece here at 3:27. Heartfelt and gradually warming, with enough length to carry a full scene from quiet opening to a satisfied close.